Collection
Theo Van Doesburg
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Portrait of Lena Milius - Theo van Doesburg
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Dunes and sea - Theo van Doesburg
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Colour Solution for Interior - Theo van Doesburg
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Counter-Composition VI - Theo van Doesburg
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Counter composition XIII - Theo van Doesburg
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Girl with Ranunculus - Theo van Doesburg
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Composition I (Still Life) - Theo van Doesburg
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Beggar - Theo van Doesburg
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Still Life (Composition V) - Theo van Doesburg
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Composition XX - Theo van Doesburg
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Composition with Half Values - Theo van Doesburg
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Dance II - Theo van Doesburg
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The denaturalized material. Destruction 2 - Theo van Doesburg
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Counter Composition VII - Theo van Doesburg
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Self-Portrait - Theo van Doesburg
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Heroic Movement - Theo van Doesburg
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Composition IX, opus 18 - Theo van Doesburg
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River Landscape with Mill - Theo van Doesburg
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Still Life with Statue, Vase and Jar - Theo van Doesburg
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Composition in dissonances - Theo van Doesburg
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Simultaneous Counter Composition - Theo van Doesburg
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Composition XXII - Theo van Doesburg
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Composition with window with coloured glass III - Theo van Doesburg
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Counter-Composition XV - Theo van Doesburg
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Artist Biography
Theo Van Doesburg
Van Doesburg published Dada poetry under one pseudonym, anti-philosophical prose under another, and founded De Stijl under his adopted surname. His birth name was Christian Emil Marie Kupper. He took "van Doesburg" from his stepfather, "I.K. Bonset" from a Dutch pun meaning "I am foolish", and "Aldo Camini" from somewhere in his imagination. No other founding figure of geometric abstraction operated under so many identities.
He was born in Utrecht in 1883. After encountering Mondrian's work around 1915, he sought him out and together they launched the magazine De Stijl in 1917, along with Bart van der Leck, Vilmos Huszar, J.J.P. Oud and Antony Kok. Van Doesburg was the movement's organiser, publicist and ambassador, travelling across Europe to promote Neoplasticism while Mondrian stayed in his studio.
In 1922 he moved to Weimar and set up an unofficial school near the Bauhaus to attract students to Constructivist and De Stijl ideas. Walter Gropius acknowledged the influence but refused to give Van Doesburg a teaching post. The rivalry was productive: Bauhaus design absorbed De Stijl principles without crediting the source.
The break with Mondrian came over diagonals. Mondrian insisted on strictly horizontal and vertical lines; Van Doesburg introduced the diagonal in his Counter-Compositions, arguing for dynamic rather than static geometry. They stopped speaking. In 1929 they met accidentally in a Paris cafe and reconciled.
He married three times. His third wife, Nelly van Moorsel, was an artist, pianist and choreographer. He died in Davos in 1931, at forty-seven, from a heart attack. De Stijl ended with him.
He was born in Utrecht in 1883. After encountering Mondrian's work around 1915, he sought him out and together they launched the magazine De Stijl in 1917, along with Bart van der Leck, Vilmos Huszar, J.J.P. Oud and Antony Kok. Van Doesburg was the movement's organiser, publicist and ambassador, travelling across Europe to promote Neoplasticism while Mondrian stayed in his studio.
In 1922 he moved to Weimar and set up an unofficial school near the Bauhaus to attract students to Constructivist and De Stijl ideas. Walter Gropius acknowledged the influence but refused to give Van Doesburg a teaching post. The rivalry was productive: Bauhaus design absorbed De Stijl principles without crediting the source.
The break with Mondrian came over diagonals. Mondrian insisted on strictly horizontal and vertical lines; Van Doesburg introduced the diagonal in his Counter-Compositions, arguing for dynamic rather than static geometry. They stopped speaking. In 1929 they met accidentally in a Paris cafe and reconciled.
He married three times. His third wife, Nelly van Moorsel, was an artist, pianist and choreographer. He died in Davos in 1931, at forty-seven, from a heart attack. De Stijl ended with him.
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