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Paul Gauguin
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Mahana Atua (Día de los Dioses) - Paul Gauguin
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Se crea el universo - Paul Gauguin
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Mahna No Varua Ino - Paul Gauguin
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Maruru - Paul Gauguin
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Mata Mua (En los viejos tiempos) - Paul Gauguin
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Te raau rahi (El árbol grande) - Paul Gauguin
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Día del Dios (Mahana No Atua) - Paul Gauguin
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El espíritu de los muertos vela - Paul Gauguin
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Ia Orana Maria (Te saludamos, María) - Paul Gauguin
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Van Gogh pintando girasoles - Paul Gauguin
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La visión tras el sermón (Jacob luchando con el ángel) - Paul Gauguin
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Les Alyscamps - Paul Gauguin
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El paraíso perdido - Paul Gauguin
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Café de noche en Arlés - Paul Gauguin
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I Raro Te Oviri (Bajo el pandano) - Paul Gauguin
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Retrato de Achille Granchi-Taylor - Paul Gauguin
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Tres mujeres tahitianas - Paul Gauguin
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La Luna y la Tierra (Hina tefatou) - Paul Gauguin
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El Cristo amarillo - Paul Gauguin
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Naturaleza muerta con tetera y frutas - Paul Gauguin
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Retrato de un hombre - Paul Gauguin
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La visión tras el sermón (Jacob luchando con el ángel) - Paul Gauguin
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Palabras susurradas (Parau Parau) - Paul Gauguin
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Noa Noa (Viaje a Tahití) - Paul Gauguin
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Artist Biography
Paul Gauguin
Eugène Henri Paul Gauguin (1848-1903) was a leading French Post-Impressionist artist whose bold experiments in colour and form synthesised a new, modern style. Though born in Paris, Gauguin spent his early childhood in Peru, an experience that instilled in him a lifelong wanderlust and a fascination with the exotic. He began his career as a stockbroker, only turning to art in his late twenties after being inspired by the Impressionists.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
Gauguin soon rejected the Impressionist focus on objective representation, seeking instead to express subjective emotions and spiritual ideas through his art. This led him to develop a distinctive style characterised by flattened forms, simplified lines, and vibrant, non-naturalistic colours. Key works such as *Vision after the Sermon* (1888) exemplify this approach, showcasing his move towards Symbolism and Cloisonnism.
Frustrated with European society, Gauguin sought refuge in French Polynesia, where he created some of his most iconic paintings, including *Where Do We Come From? What Are We? Where Are We Going?* (1897-98). These works depict the beauty and mystery of Tahitian life, albeit through a lens that has since been critiqued for its romanticised and colonial gaze. Despite his controversial legacy, Paul Gauguin's innovative use of colour and his exploration of primal themes profoundly influenced the development of modern art.
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