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Giovanni Domenico Tiepolo
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Old Bearded Man with a Cap - Giovanni Domenico Tiepolo
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Aeneas Recognizing Venus at the Moment of her Disappearance in a Cloud - Giovanni Domenico Tiepolo
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The Disrobing of Christ - Giovanni Domenico Tiepolo
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The Game of Bowls - Giovanni Domenico Tiepolo
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The Woman with a Tambourine - Giovanni Domenico Tiepolo
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A Spring Shower - Giovanni Domenico Tiepolo
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Portrait of a Woman - Giovanni Domenico Tiepolo
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Tarquin and Lucretia - Giovanni Domenico Tiepolo
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Old Man in Oriental Costume - Giovanni Domenico Tiepolo
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Cupid in a Chariot - Giovanni Domenico Tiepolo
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The Trinity - Giovanni Domenico Tiepolo
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Hercules and Antaeus - Giovanni Domenico Tiepolo
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Apoteosis de Hércules - Giovanni Domenico Tiepolo
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Armida encuentra a Rinaldo durmiendo - Giovanni Domenico Tiepolo
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Anciano al estilo de Rembrandt - Giovanni Domenico Tiepolo
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San Ambrosio - Giovanni Domenico Tiepolo
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Retrato de Giovanni Battista Tiepolo - Giovanni Domenico Tiepolo
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Hombre con turbante pequeño - Giovanni Domenico Tiepolo
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Anciano con turbante - Giovanni Domenico Tiepolo
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Anciano con barba - Giovanni Domenico Tiepolo
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Anciano con cadena y libro - Giovanni Domenico Tiepolo
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Anciano con libro y lupa - Giovanni Domenico Tiepolo
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Anciano con barba y libro - Giovanni Domenico Tiepolo
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Hombre con la cabeza inclinada y sombrero grande - Giovanni Domenico Tiepolo
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Artist Biography
Giovanni Domenico Tiepolo
The younger Tiepolo spent the last twenty years of his life drawing Punchinello. He produced 104 sketches of the hunchbacked commedia dell'arte clown, subtitled "Entertainments for the Children", though the satire was aimed at adults. The drawings show Punchinello eating, dancing, courting, being executed, and being buried, a complete biography of a fictional fool used to lampoon the pretensions of Venetian society.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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